Image: Anselm Kiefer’s vast studio complex opens to the public in southern France
Towers and tunnels pepper the huge site in Barjac, in the south of France, which Kiefer bought in 1992. The artist lived there until 2007, when he moved to a studio in Paris Photo: Charles Duprat © the artist
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Anselm Kiefer’s vast studio complex opens to the public in southern France

30 May 2022
Barjac, France

By Gareth Harris

Anselm Kiefer’s vast studio complex in Barjac in southern France, which has been likened to a “human ant hill”, has finally opened to the public after years of planning. Visitor numbers to the site, known as La Ribaute, will be capped. “The objective of the Eschaton-Anselm Kiefer Foundation, which runs La Ribaute, is to ensure access to the public—rather than mass tourism—over the years to come,” says Janne Sirén, the president of the foundation’s board of trustees, and also the director of the Albright-Knox Art Gallery in Buffalo, New York. “There is a lot of walking involved in visiting La Ribaute; it’s over 40 hectares,” he says.

In 1992, having left Germany, Kiefer acquired La Ribaute, an old silk factory in Barjac. The site developed organically, comprising buildings, outdoor art installations, subterranean chambers and a five-level concrete amphitheatre. The artist lived at the 40-hectare site, 70km north-west of Avignon, until 2007, after which he relocated to a new studio space at Croissy on the outskirts of Paris.

“There are several art installations in the landscape interconnected by paths as well as underground tunnels that the artist has designed,” says Sirén. “Barjac has continued to be a secondary studio, especially in the summer season. You might compare the foundation in concept to Marfa [the small city in Texas that has become an arts hub]; it’s an artist space now owned by a foundation, the purpose of which is to preserve it for posterity.”

La Ribaute has grown, with more than 60 buildings and art areas, known as pavilions. “Mr Kiefer added his own touch with these art spaces; some of them have sculptures, some have paintings,” Sirén says. “In recent years, he has welcomed artists he feels kinship with to contribute permanent installations to the ecosystem of La Ribaute, starting with Wolfgang Laib in 2014. Monica Bonvicini, the latest contributor, will unveil her work in July.” Laurie Anderson and Valie Export have also provided works.

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Admission to La Ribaute, open during the summer months, costs €25, though Barjac residents enter for free. “Mr Kiefer has been extraordinarily generous towards the foundation in providing not just the core physical asset but also extensive financial resources. The ticket revenue partially covers our operating costs and there are the usual fundraising routes, but this has all hinged on Mr Kiefer’s generosity in providing operational funding.”

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