11 September – 6 October 2012

L’abécédaire de Deleuze is derived to bring into being the higher power of words and the tight formal format is to focus on space as related to content.

Three chairs were equally spaced facing the far wall of the gallery space, with three monitors placed directly in front of the chairs: giving a close view of the participants who are critics, museum directors, writers and “thinkers” of the art world. At the same time, a still image of the subjects were projected large scale on the facing wall. Thus throwing cybernetics and its sidekick digital to blatantly display its trickster action of reversing hierarchies with its disastrous entrenched mental sets; reversing distance from distance to place. In the upstairs gallery space and without relation to this major installation, Sturtevant presented black and white photographs of her Dillinger Running series.