The first solo presentation in the UK of works by Rosemarie Castoro (1939–2015), a central figure in New York’s Minimal and Post-Minimal art scene, spans four decades of her multidisciplinary practice. The exhibition takes its title from a 1975 article by Lucy R. Lippard, the art critic and curator who identified Castoro as one of the women artists ‘who subverted or overrode Minimalism on its own turf’.