Image: Joseph Beuys: In Defense of Nature
Joseph Beuys, Difesa della natura (Defense of Nature), 1984. Color offset on heavy paper. © 2024 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Photo by Joshua White/JWPictures.com
Museum Exhibitions

Joseph Beuys: In Defense of Nature A major collection exhibition at The Broad, Los Angeles

16 November 2024—6 April 2025
The Broad, Los Angeles, CA

This autumn, in a multifaceted effort, The Broad will present a free collection exhibition, offsite public reforestation project, and series of programs connected with the legacy of Joseph Beuys’s art and environmental advocacy. The exhibition Joseph Beuys: In Defense of Nature is organized by The Broad’s curator Sarah Loyer with Beuys scholar Andrea Gyorody, director of the Frederick R. Weisman Museum of Art at Pepperdine University. It will coincide with a major reforestation initiative, Social Forest: Oaks of Tovaangar, as part of Getty’s landmark arts event PST ART: Art & Science Collide. These dual projects present Beuys’s work and practice as more urgent than ever before, as the planet’s climate continues to warm. 

The exhibition will present over 400 artworks that illuminate Beuys’s practice as a model for direct environmental action, drawing from the Broad’s extensive holdings of the artist’s work. The corresponding Social Forest initiative will echo the appeals for change seen within the exhibition, with an emphasis on the unique social and environmental context of current day Los Angeles. Undertaken in partnership with North East Trees and Tongva (Gabrielino) archaeologist Desireé Reneé Martinez and artist Lazaro Arvizu Jr., the project encompasses the planting of 100 native trees, primarily coast live oaks, in Elysian Park in Los Angeles and additional plantings at Kuruvungna Village Springs in West L.A. 

About The Exhibition

Joseph Beuys: In Defense of Nature will prominently highlight the artist’s “multiples.” Arranged thematically throughout the first-floor galleries, the multiples are editioned objects made to be sold or given away, more accessible than singular, large-scale pieces. Iconic works such as Sled (1969) and Felt Suit (1970) join lesser-known multiples such as Rhine Water Polluted (1981), a bottle of river water that exemplifies the artist’s approach to artmaking, using humble materials to draw attention to social conditions and environmental issues, such as the contamination of the Rhine River. This expansive array of historical works will show how Beuys transformed the medium of sculpture, with his political concerns at the forefront.  

Atmospheric image Atmospheric image
Atmospheric image Atmospheric image
Atmospheric image Atmospheric image