The nocturnal seascape in Miquel Barceló’s Dernière pleine lune de l’été (2018–19) recalls the Impressionists’ emphasis on the fleeting effects of light, atmosphere and weather. The artist’s native Mallorca inspired his recent works, in which the sky dominates the composition and nature is registered as an elemental force. The ever-changing forms of sea and clouds are captured with a soft touch that blurs any definitive outline, creating nebulous shapes and eliding the distinction between sea and sky. Paradoxically, he renders the liquidity of the sea using a dry brush technique to create highly tactile areas of paint, with horizontal striations that seem to indicate the movement of the water.
在米格尔·巴塞洛《夏日最后一轮满月》(Dernière pleine lune de l’été)(2018-19 年)中的夜间海景,让人想起印象派画家,他们强调光线、气氛和天气会为作品带来稍 纵即逝的影响。艺术家的故乡马略卡岛启发他创作出近作。在这些作品中,天空占据 了构图,艺术家将自然表现成一种重要的力量。艺术家温柔地捕捉了海和云变幻莫测 的形态,模糊了所有鲜明的轮廓,创作出模糊的形状,消除海洋和天空之间的隔阂。 矛盾的是,他用干笔技术描绘大海的流动性,创造出富有质感的一隅颜料,其横向的 条痕,仿佛暗示水的流动。
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