New Orleans Drizzle (Borealis) (1989) is from one of Robert Rauschenberg’s most experimental and innovative series, created by silkscreening a photograph he took in Japan in 1982 onto a sheet of brass. The titular ‘drizzle’ is represented by streaks of tarnishing agent, which run down the metal plate like raindrops, as well as larger smears that form dark puddles on the surface. He had a keen eye for the formal qualities in everyday scenes, such as the white refuse sacks arranged in a row and the geometric rigour of the pipes that lead the eye horizontally across the image. With their subtly reflective surfaces, the Borealis works change according to one’s viewpoint, alluding to the ever-shifting landscape of modernity.
《新奥尔良细雨(北极星)》(1989年)是罗伯特·劳森伯格最具实验性和创造性的作 品系列之一,他将自己于1982年在日本拍摄的照片丝网印刷在铜板之上。名义上的 “细雨” 是变色剂留下的条痕,这些变色剂像雨点一样从金属板上流下,同时较大的 雨点在作品表面积累成黑色水坑。他总能洞察日常场景中的形态和特质,比如横向排 列的白色垃圾袋,以及画面上横向引导视觉的管道,在几何学上的严谨性。透过他们 含蓄的反射表面,《北极星》会按人们的视点变化,暗指现代不断变化的景观。
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