Lee Bul, Untitled (Willing To Be Vulnerable – Velvet #11), 2020

Lee Bul Untitled (Willing To Be Vulnerable – Velvet #11), 2020

Mother of pearl, acrylic paint, collage on silk velvet
60.5 x 45.5 x 3.4 cm
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Lee Bul, Perdu CXXIII, 2021
Lee Bul
Perdu CXXIII, 2021
Mother of pearl, acrylic paint on wooden base panel, stainless steel frame
163 x 113 x 6.5 cm (64.17 x 44.49 x 2.56 in)
Lee Bul, Perdu XL (2020); Thaddaeus Ropac
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Perdu XL, 2020
Mother of pearl, acrylic paint on wooden base panel, steel frame
226 x 163 x 6.5 cm
Lee Bul, Perdu CXXII, 2021
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Perdu CXXII, 2021
Mother of pearl, acrylic paint on wooden base panel, stainless steel frame
83.3 x 189.5 x 6.6 cm (32.8 x 74.61 x 2.6 in)
Lee Bul, Untitled (Willing To Be Vulnerable - Velvet #19), 2021
Lee Bul
Untitled (Willing To Be Vulnerable - Velvet #19), 2021
Mother of pearl, acrylic paint, collage on silk velvet
147 x 197 x 12 cm (57.87 x 77.56 x 4.72 in)
Lee Bul, Sternbau No. 11, 2008
Lee Bul
Sternbau No. 11, 2008
Stainless steel, acrylic, crystal, glass beads, aluminium & steel chains
187 x 100 x 85 cm (73.62 x 39.37 x 33,.46 in)
Lee Bul, Transcription (Drift & Scatter), 2006
Lee Bul
Transcription (Drift & Scatter), 2006
Hand-cut polyurethane panels on aluminium, acrylic coating, stainless steel wires
210 x 220 x 200 cm (82.68 x 86.61 x 78.74 in)
Lee Bul, Aubade V (2019); Thaddaeus Ropac
Lee Bul
Aubade V, 2019
Cast steel (collected from demolished checkpoint in DMZ), Optium museum acrylic, electronic display board, LED light (bulb, strip, bar), LED socket, conversion socket, CPU, DC-SMPS, dimmer (DC, AC), terminal box, magnet, black PVC coated wire, electric wire (black, transparent)
400 x 300 x 300 cm
Lee Bul, Willing To Be Vulnerable, 2015–16
Lee Bul
Willing To Be Vulnerable, 2015–16
Metalised film, transparent film, blower fan, electronic wiring
300 x 300 x 1700 cm
Installation view, 20th Biennale of Sydney, 2016
Lee Bul, Untitled (sculpture M1), 2013
Lee Bul
Untitled (sculpture M1), 2013
Polyurethane panel, stainless steel, aluminium and acrylic rods, glass and acrylic mirror on stainless steel armature
203 x 114 x 77 cm
Lee Bul, After Bruno Taut (Beware the sweetness of things), 2007
Lee Bul
After Bruno Taut (Beware the sweetness of things), 2007
Crystal, glass and acrylic beads on stainless steel armature, aluminium and copper mesh, PVC, steel and aluminium chains, suspended over floor panels of mirror-finish stainless steel
350 x 250 cm
Installation view, Lee Bul: From Me, Belongs to You Only, Mori Art Museum, Tokyo, 2012
Lee Bul, Cyborg W1, 1998
Lee Bul
Cyborg W1, 1998
Cast silicone, polyurethane filling, paint pigment
185 x 56 x 58 cm
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