Martha Jungwirth
玛莎·荣格斯 Ohne Titel《无题》, 2019

A riot of vermilion, pinks and magenta, Ohne Titel (2019) represents the corporeal register of Martha Jungwirth’s distinctive colour palette. The paint is applied in fluid sweeps and daubed onto the surface of the paper in gestural blots, serving as a record of her dynamic bodily presence in the creative act. The swathes of paint are gathered towards the centre of the work to form a dense passage of pigmented material around which areas of the brown paper are left exposed, balancing the composition with a delicate sensitivity and restraint.

Martha Jungwirth’s singular contribution to contemporary painting is currently being celebrated with a career retrospective at the Kunsthalle Düsseldorf until 20 November 2022.

在玛莎•琼沃斯(Martha Jungwirth)的《无题》(2019年)中,肉粉色、血红色和带瘀的洋红色暴烈地跃然画上,艺术家独特的调色板可谓活灵活现。颜料或被畅然扫荡或极具手感地涂抹在纸面上,她在创作过程中充满张力的肢体语言活现在此纪录中。大片的颜料聚集在作品中心,形成一个密集的颜料通道,而周围的棕色纸本区域则赤裸地暴露出来,以一种微妙的感性和克制平衡构图。

玛莎•琼沃斯对当代绘画的非凡贡献,可见于杜塞尔多夫美术馆(KunsthalleDüsseldorf)正在举办的回顾展,展期到2022年11月20日。