Perdu LX (2020) forms part of Lee Bul’s latest series of mixed-media paintings, blending biomorphic and cybertronic forms to create ethereal yet embodied abstractions in acrylic paint and mother of pearl. These works reflect the artist’s ongoing experimentation with organic materials that conjure biological processes and the human body. The title of the series is a French term that translates as ‘lost’, or something that is hidden or obscured, notably used in Marcel Proust’s À la Recherche du Temps Perdu (In Search of Lost Time) from 1913–27. The intricate tracery of the pale form against the vibrant red background evokes – without actually depicting – bodily connotations.
《遗失LX》(Perdu LX) (2020年) 是李昢(Lee Bul)最新的混合媒体绘画系列的一 部分,她融合了生物形态和机械形态,用丙烯颜料和珍珠母创造出空灵而具象的抽象 作品。作品反映了艺术家对有机材料持续进行的实验,这些材料令人联想起生物过程 和人体。此系列的作品标题来自法语中的一个词语,意思是 “丢失” (lost),或被 隐藏或掩盖的东西,字词当初因被马塞尔·普鲁斯特(Marcel Proust)1913-27年于《 追忆逝水年华》(À la Recherche du Temps Perdu)中使用而为人所熟悉。其错综复 杂的苍白细纹,在鲜艳红色背景衬托下,令人衍生(而非实际描绘出)有关身体的联 想。
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