Rona Pondick

Rona Pondick

Rona Pondick was born in 1952 in Brooklyn (New York) and lives and works in the United States.
Pondick is an artist who adds a new reality to the real, but never interprets the materiality of the world by the means of an image. On the contrary, she confronts us with the reality and the hard immediacy of an “objectness” molded with her own hands. In her recent sharply focused work, the authenticity of these objects is reinforced by impressions taken from her own body (skull, face, hands). Pondick superimposes her own face on a dog or monkeys or other animals, and when her face is fused with the body of a dog, the dog becomes a sphinx.
Hybridity is in many ways a characteristic of Rona Pondick's works. Half-man, half-animal or plant, precisely hand-crafted or aided by state-of-the-art computer technology, with surfaces partly cold and shiny, partly matt and hyper-realistic, Pondick's sculptures often make a disturbing impression. The element of metamorphosis is a central theme. Pondick seems to link the ancient world of Egyptian sphinxes, Greek centaurs and Ovidian mythology with the psycho-surrealist drama of Kafka's Metamorphosis.

Awards

2016


Anonymous Was A Woman Award


 


2000 


Cultural Department of the City of Salzburg, Kunstlerhaus


 


1999 


Bogliasco Foundation Fellowship


 


1996 


Rockefeller Foundation Fellowship


 


1992 


Guggenheim Fellowship


 


1991 


Mid-Atlantic Arts Grant


 


1988 


Art Matters Inc.


New York State Council on the Arts (Beds installation)


Artists Space Grant


 


1985 


Ludwig Vogelstein Foundation Grant


 


1977 


Fannie B. Pardee Prize in Sculpture


Solo exhibitions

2016


The Ileana Sonnabend Collection, Ca'Pesaro, Galleria Internazionale d'Arte Moderna, Venice, Italy


 


2014


Rona Pondick, Krampf Gallery, Istanbul, Turkey


 


2013


Rona Pondick, Sonnabend Gallery, New York


Two Trees : Rona Pondick and Jennifer Steinkamp, Armory Art Gallery at Virginia Tech, Blacksburg, VA


Come Together: Surviving Sandy, Dedalus Foundation, Industry City and The Brooklyn Rail, Brookly, NY, USA


Donation Florence et Daniel Guerlain, Centre Pompidou, Paris


The Sonnabend Collection, Ca' Pesaro, Galleria Internazionale d'Arte Moderna, Venise, Italie


 


2012


Galerie Thaddaeus Ropac, Paris


 


2011


One Room Show, Sonnabend Gallery, New York


 


2010


Metamorphosis: Rona Pondick, Nassau County Museum of Art, Roslyn, NY


Galerie Thaddaeus Ropac, Editions Space, Salzburg, Rona Pondick: The Metamorphosis of an Object


 


2009


Worcester Art Museum, Worcester, Massachusetts, Rona Pondick: The Metamorphosis of an Object


Howard Yezerkski Gallery, Boston


 


2008


TR3, Ljubljana, Slovenia, Rona Pondick, Head in Tree and other works 1999–2008


Die Internationale Stiftung Mozarteum, Salzburg, Austria, Rona Pondick


 


2006 


Galerie Thaddaeus Ropac, Salzburg, Austria


Sonnabend Gallery, New York


 


2004 


Museum of Contemporary Art Cleveland, Cleveland, Ohio


Akira Ikeda Gallery, Taura, Japan, 1987-2001


 


2003 


Cranbrook Art Museum, Bloomfield Hills, Michigan, Sculpture 1992-2003


 


2002 


Galleria D’Arte Moderna Bologna, Bologna, Italy


Sonnabend Gallery, New York


Galerie Thaddaues Ropac, Paris


DeCordova Museum and Sculpture Park, Lincoln, Massachusetts


Groninger Museum, Groningen, The Netherlands


 


2001 


Patricia Faure Gallery, Santa Monica, California


 


1999  Rupertinum, Kunst Salzburger Landessammlungen, Salzburg, Austria, Positionenreihe 7


 


1998 


Howard Yezerski Gallery, Boston


 


1997 


Sidney Janis Gallery, New York, tree head room


 


1996 


Brooklyn Academy of Music, Next Wave Festival (site: Brooklyn Museum of Art), Brooklyn, New York,


Mine (conceived and directed by Rona Pondick and Robert Feintuch; collaborators: Sara Rudner, Jennifer


Tipton, and William Matthews)


Susan Inglett, I. C. Editions, New York


Patricia Faure Gallery, Santa Monica, California


Howard Yezerski Gallery, Boston


Brooklyn Museum of Art, Lobby Project, Brooklyn, New York, Mine


 


1995 


Cincinnati Art Museum, Cincinnati, Ohio, New Art 4


Jose Freire Fine Art, New York


 


1993 


Howard Yezerski Gallery, Boston


Jose Freire Fine Art, New York


 


1992 


Israel Museum, Jerusalem, Pink and Brown


Galerie Thaddaeus Ropac, Paris


Transepoca, Milan


 


1991 


Beaver College Art Gallery, Glenside, Pennsylvania, Scrap, a site-specific installation


Asher-Faure Gallery, Los Angeles


fiction/nonfiction, New York, Foot and Mouth


 


1990 


Asher-Faure Gallery, Los Angeles, mamamamama


 


1989 


The Institute of Contemporary Art, Boston, Currents


fiction/nonfiction, New York, Bed Milk Shoe


Hillman Holland Gallery, Atlanta


1988 


Sculpture Center, New York, Beds, a site-specific installation


fiction/nonfiction, New York 


Group exhibitions

2016


The Sonnabend Collection: Half A Century of European & American Art, Part 1, Museu de Arte Contemporânea de Serralves, Porto, Portugal.


The Ileana Sonnabend Collection, Ca'Pesaro, Galleria Internazionale d'Arte Moderna, Venice, Italy


 


2015


de-FORMATIONS, Bruce Silverstein Gallery, New York, NY, USA.


SELF: Portraits of the Artist in Their Absence, National Academy Museum, New York, NY, USA.


Beuatiful Beast, New York Academy of Art, New York, NY, USA.


Uncanny/Figure, Dorsky Gallery, Long Island City, NY, USA.


Gray Would Be the Color, If I Had A Heart, Marc Strauss Gallery, New York, NY, USA.


 


2014


Dorsky Museum of Art, New Paltz, New York, Dick Polich: Transforming Metal into Art


Red Bull Studios, New York, Migration to the Interior


National Academy Museum, New York, Beyond the Classical: Imagining the Ideal Across Time




2013


Armory Art Gallery at Virginia Tech, Blacksburg, VA, Two Trees: Rona Pondick and Jennifer Steinkamp
Dedalus Foundation, Industry City, and The Brooklyn Rail, Brooklyn, NY, Come Together: Surviving Sandy
Ca'Pesaro, Galleria Internazionale d'Arte Moderna, Venice, Italy, The Sonnabend Collection
Krampf Gallery, Istanbul, Turkey
RH Gallery, New York, A Discourse on Plants


 


2012


Changing States of Matter, Brand New Gallery, Milan, Italy


Do Not Destroy: Trees, Art, and Jewish ThoughtContemporary Jewish Museum, San Francisco, CA


Everyday Disturbance, Philadelphia Museum of Art, Philadelphia, PA


Circa 1986, Hudson Valley Center for Contemporary Art, Peekskill, NY




2011


Ileana Sonnabend: An Italian Portrait, The Solomon R. Guggenheim Foundation, Venice, Italy


Everyday Disturbances, Philadelphia Museum of Art, Philadelphia, Pennsylvania 


Fundamentally Yours: Visual Art and Neuroscience, Pera Museum, Istanbul, Turkey


Never Let Me Go, Rhona Hoffman Gallery, Chicago


American Dream, Valentina Bonomo Roma, Rome, Italy


The Museum's Collection of Art Since the Mid-20th Century, Worcester Art Museum


Sonnabend Gallery, New York


 


2010


Royal Institution of Australia, The Science Exchange, Adelaide, Australia, The Uncanny Valley


Sonnabend Gallery, New York


Weatherspoon Art Museum, Greensboro, North Carolina, Odd Bodies: Selections from the Permanent Collection


Mori Art Museum, Tokyo, Japan, Medicine and Art: Imagining a Future for Life and Love


 


2009


Fundament Foundation, park De Oude Warande, Tilburg, The Netherlands, Stardust


Sonnabend Gallery, New York


Daelim Contemporary Art Museum, Seoul, Korea, The Buhl Collection: Speaking with Hands


 


2008


Sonnabend Gallery, New York


Worcester Art Museum, Worcester, Massachusetts, Human Nature(s)


Hudson Valley Center for Contemporary Art, Peekskill, New York, Origins


Sonsbeek 2008, Arnhem, Netherlands, Sonsbeek 2008: Grandeur


Palais des Beaux-Arts de Lille, Lille, France, Goya. Les Caprices & Chapman, Morimura, Pondick, Schutte


Cultural Services of the French Embassy, New York, The Florence and Daniel Guerlain Collection: Dessins


 


2007


Sonnabend Gallery, New York


Galerie Thaddaeus Ropac, Salzburg, Exposures: The Contemporary Self-Portrait


Howard Yezerski Gallery, Boston, Unnatural: Neeta Madahar and Rona Pondick


Whitney Museum of American Art, New York, Uncontained


 


2006


Ursula Blickle Stiftung, Kraichtal, Germany, Eccentrics


CAM Gallery, Istanbul, Turkey, Ego


Galerie Thaddaeus Ropac, Salzburg


 


2005 


Chelsea Art Museum, New York, Francisco de Goya: Los Caprichos and Here comes the Bogey-Man


Hudson Valley Center for Contemporary Art, Peekskill, New York, Figure It Out


Fondation pour l a’rt contemporain Claudine et Jean-Marc Salmon, Annecy, France, Collection 2


Howard Yezerski Gallery, Boston, Head Count   


Sonnabend Gallery, New York


Kunst Der Gegenwart Sammlung Essl, Vienna, Austria, Visions of America; Contemporary Art from the Essl


Collection and the Sonnabend Collection


 


2004 


Howard Yezerski Gallery, Boston, Some of Their Parts


Allen Memorial Art Museum, Oberlin, Ohio, Making the Body in Contemporary Sculpture


Galerie St. Etienne, New York, Animals and Us: The Animal in Contemporary Art


Sonnabend Gallery, New York          


 


2003 


DaimlerChrysler, Berlin, A Dialogue of Two Collections: Ileana Sonnabend, New York and DaimlerChrysler


Galerie Thaddaues Ropac, Salzburg, Austria, Skulptur 03


Museum fur Angewandte Kunst, Frankfurt, Germany, Triennial 9 Form and Contents: Corporal Identity-


BodyLanguage (traveling exhibition to Museum of Arts and Design, New York)


Jacksonville Museum of Modern Art, Jacksonville, Florida, Skin:Contemporary Views of the Body


Sonnabend Gallery, New York


 


2002 


Skidmore College, Tang Museum, Saratoga Springs, From Pop to Now: Selections from the Sonnabend


Collection (traveling exhibition to Wexner Center for the Arts, Ohio)


Deutsche Bank, New York, Text/Textile                                                                                                                                    


Sonnabend Gallery, New York


 


2001 


Yale University School of Art, New Haven, Connecticut, Alumni Choice


 


2000 


Sonnabend Gallery, New York, Sculpture


Biennale d’art contemporain de Lyon, France, Sharing Exoticism


Koldo Mitxelena Cultural Centre, Donostia, San Sebastian, Spain, Acts of Resistance


Sonnabend Gallery, New York, Anniversary Exhibition


Torch Gallery, Amsterdam, Netherlands, Blondies and Brownies


 


1999 


Kunsthaus Murzzuschlag, Murzzuschlag, Austria, Der Anagrammatische Korper (in cooperation with
Neue Galerie Landesmuseum Joanneum Graz, traveling to Center for Art and Media Technology,
Karlsruhe, Germany)


Bard College, Center for Curatorial Studies Museum, Annandale-on-Hudson, New York, Calendar 2000


Parsons School of Design, New York, Drawing in the Present


The Speed Art Museum, Louisville, Kentucky, The Body in Question: Tracing, Displacing and Remaking the Human Figure in Contemporary Art


PaineWeber Art Gallery, New York, Comfort Zone: Furniture by Artists


 


1998 


Susan Inglett, I. C. Editions, New York, Multiples + Editions


Rose Art Museum, Brandeis University, Waltham, Massachusetts, Contemporary Sculpture and Sculptors’ Drawings


Weatherspoon Art Gallery, University of North Carolina at Greensboro, Art On Paper


Groninger Museum, Groningen, Netherlands, What Remains MCMLXXXXVII


Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida, Inner Eye: Contemporary Art


From the Marc and Livia Straus Collection (traveling exhibition to Knoxville Museum of Art, Tennessee;


Georgia Museum of Art, Georgia; The Chrysler Museum of Art, Norfolk, Virginia)


Landesgalerie Oberosterreich Landesmuseum, Linz, Austria, Sculpture Figure Women: Forms of


Representation of the Female Body (traveling exhibition to Kunstammlungen, Chemnitz, Germany)


The List Visual Arts Center at M.I.T., Cambridge, Massachusetts, Mirror Image:Women Surrealism and


Self-Representation (traveling exhibition to Miami Art Museum, Florida; San Francisco Museum of Modern Art)


 Los Angeles County Museum of Art, Los Angeles, California, From Head to Toe: Concepts of the Body in


Twentieth-Century Art


 


1997


Patricia Faure Gallery, Santa Monica, California, Lust


Second Johannesburg Biennale, South Africa, Alternating Currents


Rhona Hoffman Gallery, Chicago, No Small Feet


Caren Golden Fine Art, New York, Frankensteinian


Galerie Thaddaeus Ropac, Paris, Sous le Manteau


Contemporary Art Museum, University of South Florida, Tampa, New Grounds: Prints and Multiples


 


1996 


The Fabric Workshop Museum, Philadelphia, Millennium Eve Dress (traveling exhibition to
Contemporary Art Center, Cinncinnati)


Rose Art Museum, Waltham, Massachusetts, The Persistence of Pop


Florida State University Museum of Fine Arts, Tallahasse, Florida, Body Language


John and Mable Ringling Museum of Art, Sarasota, Florida, Embedded Metaphor, (traveling exhibition to


Dalhousiie Art Gallery, Halifax, Nova Scotia; Western Washington University, Bellingham; Bowdoin College


Museum of Art, Brunswick, Maine; Virginia Beach Center for the Arts, Virginia; Ezra and Cecile Zilkha


Gallery Wesleyan University, Middletown, Connecticut)


Hand Workshop Art Center, Richmond, Virginia, B.A.B.Y. (traveling exhibition to Virginia Beach)


UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, Califnornia, Sexual


Politics: Judy Chicago’s Dinner Party in Feminist Art History


Jewish Museum, New York, Too Jewish? Challenging Traditional Identities (traveling exhibition to the


Jewish Museum, San Francisco; UCLA Armand Hammer Museum and Cultural Center, Los Angeles; The


Contemporary, Baltimore)


The Institute of Contemporary Art (Clocktower Gallery), Home/Salon (Salon of the Present), New York


Illinois State University, University Galleries, Normal, Frankenstein


 


1995 


Whitney Museum of American Art, New York, Altered and Irrational


The Museum of Contemporary Art, Los Angeles, Intersections: The Personal and the Social in the Permanent Collection


Armory, Philadelphia, The Figure/The Body–American Art, 1945–1995


New Jersey Center for the Visual Arts, Summit, The Outer Layer


Elga Wimmer, New York, Women on the Verge (Fluxus and Not)


Galerie Enrico Navarra, Paris, Autour de Roger Vivier (traveling exhibition to China Club, Hong Kong; Taiwan; Japan)


The South Bank Centre, London, Fetishism: Visualising Power and Desire (traveling exhibition to Brighton


Museum and Art Gallery; Nottingham Castle Museum; Sainsbury Centre for the Visual Arts)


Configura 2, Dialog Der Kulturen, Erfurt, Germany


Galerie Thaddaeus Ropac, Salzburg and Paris, The Muse? Transforming the Image of Women in


Contemporary Art


The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, Inside Out: Psychological Self-Portraiture


Rosemont College Art Gallery, Pennsylvania, Foundations: Underwear/Under Where?


Herter Art Gallery, University of Massachusetts at Amherst, Imperfect (traveling exhibition to Tyler Art


Gallery, Philadelphia)


Huntington Gallery, Massachusetts College of Art, Boston, Object Lessons: Feminine Dialogue with the Surreal


Howard Yezerski Gallery, Boston, Robert Feintuch, John O’Reilly, Rona Pondick


 


1994 


Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Thirteenth Anuual Exhibition of Art on Paper


Stedelijk Museum Bureau, Amsterdam, Puber Alles (Why Am I Who I Am?)


Turman Gallery, Indiana State University, Terre Haute, Object Bodies


UCLA Wight Art Gallery, Los Angeles, Bad Girls


The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, In the Lineage of Eva Hesse


 


1993 


Palazzo della Stelline, Milan, Normality as Art


Bonner Kunstverein, Bonn, Germany, UBER-LEBEN


Rhona Hoffman Gallery, Chicago, Legend in My Living Room


Emison Art Center, DePauw University, Greencastle, Indiana, Object Bodies


The Drawing Center, New York, Return of the Cadavre Exquis


Arthur Roger Gallery, New Orleans, Regarding Masculinity


Art Finds: Marsha Fogel Gallery, East Hampton, New York, Venice Comes to the Hamptons


Venice Biennale, Zitelle, Guidecca, Slittamenti, Venice, “I Love You More Than My own Death: A


Melodrama in Parts by Pedro Almodovar”


Yale University Art Gallery, New Haven, Connecticut, Yale Collects Yale


Exit Art, New York, 1920


Elisabeth Kaufman, Basel, Korper I, Annette Messager, Guiseppe Penone, Rona Pondick, Wilfried Riess,


Klaudia Schifferle, Anselm Stalder


The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, Fall From Fashion


Thread Waxing Space, New York, I Am the Enunciator


 


1992 


The List Visual Arts Center at M.I.T., Cambridge, Massachusetts, Corporal Politics


Carnegie Museum of Art, Pittsburgh, Effected Desire


Frankfurt-am-Main, Germany, Spielholle: Aesthetics and Violence


Fullerton Art Gallery, California State University, Fullerton, Bedroom Eyes: Room With A View


Heckscher Museum, Huntington, New York, The Edge of Childhood


AB Galerie, Paris, Erotiques


Thread Waxing Space, New York, Mssr. B’s Curio Shop


Barbara Toll Fine Arts, New York,  Hands and Eyes (Modeled Sculpture)


fiction/nonfiction, New York, The Whole Part: John Coplans, Rona Pondick, and John Wesley


Kunsthalle, New York, Psycho


The Gallery of the Art Institute of Chicago, Power Play


 


1991 


The Whitney Museum of Art, New York, Whitney Biennial


The Hudson River Museum of American Art, Yonkers, New York, Experiencing Sculpture: The Figurative


Presence in America, 1870–1990


Solo Press, New York, Sense and Sensibility


BlumHelman Warehouse, New York, Plastic Fantastic Lover (Object A)


Rena Bransten Gallery, San Francisco, The Childhood Show


Galeria Fernando Alcolea, Barcelona, Rope


Jack Tilton Gallery, New York, Forbidden Games


The Hyde Collection, Glen Falls, New York, Just what is it that makes today’s homes so different, so appealing?


 


1990 


Galerie Thaddaeus Ropac, Salzburg, Vertigo II


Greenberg/Wilson Gallery, New York, Collaborations


Galerie Thaddaeus Ropac, Paris, Vertigo


Asher-Faure Gallery, Los Angeles, The Home Show


The Morris Museum, Morristown, New Jersey, Diverse Representations


Emily Sorkin Gallery, New York, Body, Once Removed


Jack Tilton Gallery, New York, Detritus: Transformation and Construction


Marc Richards Gallery, Los Angeles, Spellbound


White Columns, New York, Fragments, Parts, and Wholes: The Body and Culture


 


1989 


Hillwood Art Gallery, CW Post Campus, Long Island University, Brookville, New York and BlumHelman


Warehouse, New York, Lines of Vision: Drawings By Contemporary Women


Asher/Faure Gallery, Los Angeles, Summer Group Show


fiction/nonfiction, New York, Invitational with Gallery Artists


Doug Milford Gallery, New York, Invitational


Simon Watson Gallery, New York, Erotophobia: A Forum in Contemporary Sexuality


Emily Sorkin Gallery, New York, Form and Fetish


Fine Arts Museum of Long Island, Hempstead, New York, On The Cutting Edge


Greenberg/Wilson Gallery, New York, Towards Form


 


1988 


Santa Barbara Art Museum, University of California, Collaborations in Monontype: Garner Tullis Workshop (exhibition traveling to Archer M. Huntington Art Gallery, University of Texas, Austin;  Cleveland Museum of Art, Ohio)


 The New Museum of Contemporary Art, New York, Girls Night Out (Femininity as Masquerade)


Simon Watson Gallery, New York, Invitational


White Columns, New York, Sculpture 1988: A Salon of Small Scale Work


Lyman-Allyn Art Museum, New London, Connecticut, New Artists/New Drawings


Galerie Alfred Kren, Cologne, The Other New York: Sculpture by Maureen Connor, Rona Pondick, and Kate Ritson


 


1987 


Sculpture Center, New York, Small Works


Zabriskie, New York, Summer of 1987


fiction/nonfiction, New York, Contemplating Things: A Sculpture Group Show in Two Parts: Part One: Polly


Apfelbaum, Jill Levine, and Rona Pondick


Zabriskie, New York, Peter Flaccus, Helen Miranda Wilson, and Rona Pondick


Carl Solway Gallery, Cincinnati, Ohio, The Level of Volume


 


1986 


Sculpture Center, New York, Emerging Sculptors: 1986


Jack Tilton Gallery, New York, Invitational


Richard Green Gallery, New York, Transformations


John Davis Gallery, Akron, Ohio, Invitational


Parsons School of Design, New York, Sculptor’s Drawings


 


1985 


Jersey City Museum, New Jersey, Mystery Show


Rosa Esman Gallery, New York, Friends of the Gallery


Lafayette College, Easton, Pennsylvania, Working with Wood


 


1984 


Madeleine Carter Fine Arts, Brookline, Massachusetts, Exhibition One: Jill Levine, Marilyn Levin, Rona Pondick


Rosa Esman Gallery, New York, Exceptional and New


Prospect Park, Brooklyn, New York, Bronze Sculpture


 


Bibliography

2015  


“The Artist Project: Rona Pondick.” The Metropolitan Museum. The Metropolitan Museum Online, 22 June 2015. Web. June 2015


Hodara, Susan. “At Polich Tallix Fine Art Foundry, Master of Metals Is Artists’ Ally.” The New York Times January 2015: WE10. Print.


Plagens, Peter. “An Enlightenment Through Darkness and the Grotesque.” The Wall Street Journal. WSJ.Com. Web. 27 February 2015.


Shaheen, Stephen. “Sculptors on Sculpture: Part Two.” Blouin ArtInfo. Web. 6 March 2015.


Drake, Peter et. al. “The New York Academy of Art Presents Beautiful Beast Panel Discussion.” Vimeo, 23 March 2015. Web. 30 March 2015


de-Formations: A Group Show Featuring Andre Kertesz’s Distortions. Exh. Cat.New York, NY: Bruce Silverstein Gallery, 2015. Print.


Chang, Charlotte. “Art Central – The First Satellite Fair in HK.” Harpers Bazaar Hong Kong March 2015: 76-79. Print.


 


2014  


Belasco, Daniel. Dick Polich, Transforming Metal into Art. Exh. Cat. New Paltz, NY: Samuel Dorsky Museum of Art, State University of New York at New Paltz, 2014. 38, 76-79. Print.


Bui, Phong. “The Beginning.” Come Together: Surviving Sandy, Year 1.


1st ed. Ed. Jack Flam. Italy: Skira Editore, Milano; New York: The Brooklyn Rail; New York: Dedalus Foundation, 2014. 21, 52, 57, 76-77, 231. Print.


Çagdaş, Fuat. “New York’tan Istanbul’a Sergi Açmaya Geldi.” Samdan May 2014: 82-83. Print.


Çapan, Gülben. “Kafka'yla dönüşen heykeller.” Istanbul Art News May 2014: 26. Print.


Conte, Deianira. “Rona Pondick o del significato viscerale della scultura. Intervista con l’artista.” Artribune. Artribune Ltd. Web. 19 September 2014.


DeWoody, Beth Rubin, and Paul Morris. Look at Me, Portraiture from Manet to the Present. Exh. Cat. New York, NY: Leila Heller Gallery, 2014. 113. Print.


Ekiz, Suat. “Krampf Gallery, New York’tan Sonra Istanbul’da.” Hello May 2014: 140. Print.


Fossati, Filippo and Maurizio Pellegrin. The Paradox of Sculpture. Exh. Cat. New York, NY: National Academy School, 2014. Print.


Getsy, David J. “Sculpture since 1960.” Encyclopedia of Aesthetics. 2nd ed. Vol. 5. Ed. Michael Kelly. New York: Oxford University Press, 2014. 529-534. Print.


Goodeve, Thyrza Nichols. “Rona Pondick, Fox.” Come Together: Surviving Sandy, Year 1. The Brooklyn Rail and Dedalus Foundation, November 2014. Web. 14 November 2014.


Johnson, Ken. “‘A Garden Divine: Beware of Snake.” The New York Times


18 July 2014: C19, C23. Print.


Landi, Ann. “When Is an Artwork Finished?” ARTnews February 2014: 78-83. Print.


MacAdam, Barbara. “‘The Paradox of Sculpture,’ National Academy.” ARTnews May 2014: 102. Print.


Maidman, Daniel. "The Psychodelic: Phong Bui Discusses What He Curated and How He Curated It." Huffpost Arts & Culture. TheHuffingtonPost.com, Inc. Web. 7 October 2014.


Pondick, Rona. “Rona Pondick.” The Figure, Painting, Drawing, and Sculpture, Contemporary Perspectives. Ed. Margaret McCann. New York: Skira Rizzoli Publications, 2014. 205-207. Print.


Scanlan, Jennifer. Back to Eden, Contemporary Artists Wander the Garden. Exh. Cat. New York, NY: Museum of Biblical Art, 2014. 22-23. Print.


Smee, Sebastian. “Worcester’s ‘You Are Here’ captivates with contemporary art.” The Boston Globe 11 January 2014. Print.


 


2013  


Allen, Mike. “It’s a technology take-over in ‘Two Trees’.” The Roanoke Times 25 October 2013: Arts & Extras cover, 6. Print.


Bui, Phong. “In Conversation, Rona Pondick with Phong Bui.” The Brooklyn Rail March 2013: cover, 24-27. Print.


Chow, Veronica. “Journey of Evolution.” Harper’s Bazaar Hong Kong December 2013: 100-105. Print.


Lieberman, Claire. “Who is the Keeper?” Art Experience: New York City. Art Experience: NYC Ltd, Winter 2013. Web. 13 April 2013.


Levin, Kim. “Rona Pondick.” Sculpture December 2013: 7. Print.


McClemont, Doug. “Rona Pondick.” ART + AUCTION June 2013: 151. Print.


Princenthal, Nancy, et al. “Spellbound.” The Reckoning, Women Artists of the New Millennium. Munich, London, New York: Prestel, 2013. 68-77. Print.


“Rona Pondick at Sonnabend Gallery.” Merrily Kerr New York Art Tours. New York Art Tours. Web. 11 April 2013.


“The Lookout: A Weekly Guide to Shows You Won't Want to Miss, Rona Pondick at Sonnabend Gallery, through Apr. 27.” Art in America. Art in America. Web. 11 April 2013.


“The Sonnabend Collection.” Wall Street International. Wall Street International Magazine, 23 May 2013. Web. 24 May 2013.


Wei, Lilly. “Rona Pondick, Sonnabend.” ARTnews. June 2013: 89. Print.


Wright, Ava. “Sculptor Rona Pondick: Fragmentation, Contradictions and Psychological Layering.” Contemporary Art Globally Speaking. Contemporary Art Globally Speaking, April 2013. Web. 15 April 2013.


Wright, Ava. “Artists: Altmejd, Pondick and Johnson.” Contemporary Art Globally Speaking. Contemporary Art Globally Speaking, March 2013. Web. 8 March 2013.


 


2012  


Changing States of Matter. Milan, Italy: Brand New Gallery, 2012. 5, 48-49. Print.


“Changing states of matter.” Exibart.com. Exibart International. Web. 31 May 2012.


“‘Changing states of matter’ at Brand New Gallery, Milan.” Mousse Magazine. Mousse Magazine and Publishing. Web. 6 July 2012.


Hoffman, Sara. “Rona Pondick.” The Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. Ed. Miranda Lash. London: Scala Publishers Ltd; New Orleans, LA: New Orleans Museum of Art, 2012. 142-143. Print.


“Interview, Rona Pondick, 'Drawings and Sculptures.'” AMA Newsletter 60. Paris, France: Art Media Agency, July 13, 2012. 24. Print.


Kracht, Gigi O. “Sunshine's Nook, The Art of Eve in the Big Apple and Beyond.” Views, The Baur Au Lac Magazine. Edition 2012: 60. Print.


Liuzzi, Sara. “Bis alla Brand New Gallery di Milano: Cristina Lei Rodriguez | Changing States of Matter.” International Business Times. IBT Media Inc. Web. 30 May 2012.


Nahmod, David Elijah. “Trees of life, An exploration of San Francisco’s Contemporary Jewish Museum’s new exhibit, ‘Do Not Destroy: Trees, Art and Jewish Thought.’” The Times of Israel. The Times of Israel. Web. 26 February 2012.


Phillips, Ian. “Ad Bei…Thaddaeus Ropac.” Architectural Digest, Die Schönsten Häuser Der Welt No. 132 September 2012: 240-241. Print.


Solomon, Dara. Do Not Destroy: Trees, Art, and Jewish Thought. San Francisco, CA: Contemporary Jewish Museum, 2012. 15, 73. Print.


Turton-Turner, Pamela. “The ‘Maternal’ Feminist: Exploring the Primal in Women's Art.” Studies in the Maternal Volume 4 Issue 1 2012: 9-15. Print.


 


2011  


Anker, Suzanne. “Fundamentally Human: Contemporary Art and Neuroscience.” Fundamentally Human. Istanbul, Turkey: Pera Museum, 2011. 23-53, 74-77. Print..


Armstrong, Richard. Ileana Sonnabend, An Italian Portrait. Venice, Italy: The Solomon R. Guggenheim Foundation, 2011. 9. Print.


Artoni, Margherita. “Interview with Rona Pondick.” American Dream. Rome, Italy: Valentina Bonomo Roma, 2011. 34-41. Print.


Bulut, Ümran. “‘Temelde Insan’ ve ‘Ihsan Cemal Karaburçak’ sergileri 3 Temmuz’ a dek Pera Müzesi’nde, Baska türlü manzaralar.” Cumhuriyet, Günlük Ulusal Gazete 16 June 2011: 16. Print.


Cahill, Zachary. “‘Never Let Me Go,’ Rhona Hoffman Gallery.” Artforum June 2011. Print.


Carvani, Ilaroa. “American Dream, Roma, Galleria.” Exibart.com. Exibart International.  Web. 16 April 2011.


Circa 1986. Exh. Cat. Peekskill: Hudson Valley Center for Contemporary Art; Amsterdam: Black Cat Publishing, 2011. Cover, 45, 70. Print.


Codognato, Mario. Ileana Sonnabend, An Italian Portrait. Venice, Italy: The Solomon R. Guggenheim Foundation, 2011. 96-97. Print.


De Sanctis, Linda. “Sogno a stele e strisce tra acquarelli e collage.” La Repubblica.it 26 March 2011: 21. Print.


“Dream Team.” Ilgiornaledell’arte.com. The Art Newspaper. Web. April 2011.


Driessen, Chris, and van Mierlo, Heidi, eds. Raw Stardust, Excursions in Contemporary Sculpture II. Tilburg, The Netherlands: The Fundament Foundation, 2011. 32-33. Print.


Ferri, Patrizia. “American Dream, Valentina Bonomo, Roma.” Flash Artonline.it, La prima rivista d’arte in Europa. Giancarlo Politi Editore. Web. April 2011.


Fineberg, Jonathan. Art Since 1940: Strategies of Being. 1995, 2000. Englewood Cliffs, N.J.: Prentice Hall, 2011. 464, 466-467. Print.


Laferriere, Catherine. “Naked.” Artscope Magazine v.6 no.3 July/August 2011: 12. Print.


Manzari, Fabrizio. “American Dream XXI secolo.” Sguardo Contemporaneo, cura e critica d’arte. Associazone Culturale Sguardo Contemporaneo. Web. April 2011.


McQuaid, Cate. “In the flesh.” The Boston Globe 20 July 2011. Print.


Oynar, Hande. “In Focus at Pera Museum: Human Nature.” The Guide Istanbul May-June 2011: 74-77. Print.


“Philip Rylands presents the exhibition ‘Ileana Sonnabend. An Italian Portrait.’” YouTube. YouTube LLC. Web. 14 June 2011.


Schwendener, Martha. “The Complex 1980s, Viewed by 47 Artists.” The New York Times 6 November 2011: WE12. Print.


Swinand, Sue. “Arts and Ideas #9, Rona Pondick Sculpture Exhibit." YouTube. YouTube LLC. Web. 18 January 2011.


Weiermair, Peter. “Dietgard Grimmers Zoo.” Froschbärfant und andere Tiere in der Kunst. Salzburg, Austria: Galerie im Traklhaus, 2011. 11-12, 27. Print..


 


2010  


“Fotos bei Ropac, Zirkuswelten in der Altstadt.” Kronen Zeitung, Salzburg 24 January 2010: 26. Print.


MacAdam, Barbara A. “Self-Portrait as Muskrat, Monkey, and Mouse,” ARTnews May 2010: 92-97. Print.


Palmer, Carleton. “Metamorphoses: Rona Pondick at NCMA March 13 through May 23,” Long Island Contemporary Arts Examiner 6 March 2010. Print.


Shea, Andrea. “DeCordova Curator Gets His Own ‘Otter.’” 90.9 WBUR, News. NPR, Boston. Web. 6 December 2010.


“Vernissage, Galerie Ropac.” Salzburger Nachrichten 23 January 2010: 23. Print.


 


2009  


Bergeron, Chris. “Rona Pondick’s sculptures are an amalgam of the ancient and the modern.” The Metrowest Daily News 17 May 2009: C1, C7. Print.


Bey, Dawoud. “A Couple of Thoughts in/on Passing: Rona Pondick and Roy DeCarava.” Whatsgoingon-dawoudbeysblog.blogspot. What’s Going On? Dawoud Bey’s Blog. Web. 2 November 2009.


Braat, Manon. “Rona Pondick.” Grotto/Stardust. Tilburg, The Netherlands: Fundament Foundation, 2009. 12. Print.


Clark, Shaula. “States of the Art, New England Museums Worth Traveling For.” Summer Guide, Supplement to the Boston Phoenix 12 June 2009: 14. Print.


Gilman, Amy. Toldeo Museum of Art Masterworks. Toledo, Ohio: Toledo Museum of Art, 2009. 357. Print.


Fifield, George. “Rona Pondick: The Art of Using Technology.” Rona Pondick: The Metamorphosis of an Object. Worcester, Massachusetts: Worcester Art Museum, 2009. 107-112. Print.


Hart, Dakin. “A Museum of Rona Pondick's Making.” Rona Pondick: The Metamorphosis of an Object. Worcester, Massachusetts: Worcester Art Museum, 2009. 29-41. Print.


Hart, Dakin. “Lecture on Rona Pondick: Modeling in the Age of Mechanical Reproduction.” Worcester Art Museum. Contemporary Gallery, Worcester, Massachusetts. 1 October 2009. Art Lecture.


Houston, Joe. “Envisioning Origins, An artful look at our formation.” Phi Kappa Phi Forum Spring 2009: 16-17. Print.


Kaneda, Shirley. “Rona Pondick.” Bombsite, The Artist’s Voice Since 1981. Bomb Magazine, New Art Publications. Web. 8 October 2009.


Lloyd, Ann Wilson.  “Rona Pondick, Worcester Art Museum.” Art in America November 2009: 199-200. Print.


McQuaid, Cate. “This ‘Metamorphosis’ spans centuries.” The Boston Globe 26 April 2009: N5. Print.


McQuaid, Cate. “Fluent in confluences.” The Boston Globe 23 September 2009: 2, 4. Print.


Miller, Francine Koslow.  “Rona Pondick, Worcester Art Museum/Howard Yezerski Gallery.” Artforum December 2009: 238-239. Print.


Plumb, Taryn. “Rona Pondick: The Metamorphosis of an Object.” Artscope Magazine July/August 2009: 24-25. Print.


Princenthal, Nancy. “Of Two Minds: Pondick's Hybrid Sculptures in Historical Context.” Rona Pondick: The Metamorphosis of an Object. Worcester, Massachusetts: Worcester Art Museum, 2009. 43-49. Print.


Stoops, Susan.  “Rona Pondick.” The Rose Art Museum at Brandeis. Ed. Michael Rush. New York, NY: Abrams, 2009. 260. Print.


Stoops, Susan L. “Visceral Meaning: How Sculptors See.” Rona Pondick: The Metamorphosis of an Object. Worcester, Massachusetts: Worcester Art Museum, 2009. 11-27. Print.


Wei, Lilly. “Arnhem, The Netherlands, Sonsbeek 2008.” Sculpture June 2009: 76-77. Print.


“Worcester Art Museum.” Sculpture September 2009: 21. Print.


 


2008  


“Au Palais des Beaux-Arts de Lille, Goya, le grand dénonciateur.” La Gazette Nord-Pas de Calais 8 May 2008: 12. Print.


C.S. “Les Beaux-Arts s’offrent un Caprice, Le musée expose pour la première fois dans son intégralitè une série de gravures de Goya.” Métro 23 April 2008. Print.


“Caprices fabuleux d’hier et d’aujourd’hui.” Lille Magazine May 2008: 39. Print.


Carton, Virginie. “Rona Pondick, enfant de Goya, au palais des Beaux-Arts.” La Voix du Nord 12 June 2008. Print.


Cotentin, Régis. “Actualités des Caprices.” Goya. Les Caprices & Chapman, Morimura, Pondick, Schutte. Exh. cat. Paris: Somogy Éditions d’Art; Lille: Palais des Beaux-Arts de Lille, 2008. 35-51. Print.


Cotentin, Régis. “Rona Pondick: ­The other side of reality.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat. Ljubljana, Slovenia: TR3, 2008. 21-29. Print.


Doudelet, Roland. “Pérennité de la série « Les Caprices » au palais des Beaux-Arts de Lille, A la lumière de Goya.” Le Jeudi 8 May 2008. Print.


Eshoo, Amy. A New York Drawing Collection at Work, 1991-2006.New York: Fifth Floor Foundation; New Haven: Yale University Press, 2008. 155, 162, 171-72. Print.


Flouque, Sophie. “Gravure Éternels « Caprices ».” Le Journal des Arts 23 May-5 June 2008. Print.


Gauyat, Pierre. “Côté expo, « Goya, les Caprices » au Palais des Beaux-Arts de Lille, Les pensées illustrées.” Liberté Hebdo 13-19 June 2008: 22-23. Print.


Gilsoul, Guy. “Goya le terrible.” Le Vif / L’express 20 June 2008: 111. Print.


“Goya in Lille en Parijs, Los Caprichos Toen en Nu.” Fine Arts Magazine Summer 2008. Print.


“Goya - Les caprices.” Mémoire des arts July-August 2008: 13. Print.


“Goya: Les Caprices.” The Bulletin 24 April 2008: 13. Print.


Heartney, Eleanor. Art & Today. London: Phaidon Press Limited; New York: Phaidon Press Inc., 2008. 208, 210. Print.


Houston, Joe. “The Alchemical Forest.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008. 89-107. Print.


"Installation, Orchestration minutieuse pour « Caprices » d’hier et d’aujourd’hui." La Voix du Nord 18 April 2008. Print.


Koplos, Janet. “Out of the Woods, Two sculpture exhibitions in Dutch parks last summer translated their intellectual programs into compelling visual encounters.” Art in America October 2008: 80-85. Print.


“Kritiki, Otvoritev kiparske razstave Rone Pondick, 'Glava na drevesu,' TR3, Ljubljana.” [Review, Opening of an exhibition of works by the sculptor Rona Pondick, 'Head in Tree,' TR3, Ljubljana]. Mladina 17 October 2008: 58, 63. Print.


“L’expo Goya s’installe aux Beaux-Arts.” Métro 17 April 2008. Print.


L.G.  “L’installation, c’est tout un art!” Nord Éclair 20-21 April 2008. Print.


“Lille, Goya et ses caprices.” Voyages Voyages June 2008. Print.


“Lille, Le palais des Beaux-Arts termine l'installation Goya.” La Voix du Nord 17 April 2008. Print.


MacAdam, Barbara A. “Rona Pondick.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat. Ljubljana, Slovenia: TR3, 2008. 15-17. Print.


Martí, Octavi. “La muy española primavera francesa,” El Pais 10 May 2008. Print.


Megla, Maja. “Zanima me biti zrcalo.” [“I’m interested in being a mirror” (Interview)]. Mag 29 October 2008: 64-66. Print.


Méreau, Julia. “Des Caprices de Goya à Rona Pondick.” Nord Éclair 12 June 2008. Print.


Moniez, Laurie. “Palais des Beaux Arts, Des Caprices de Goya savoureux.” Nord Éclair 25 April 2008: 7. Print.


Mrevlje, Neža. “Kiparstvo: Med hladno umetnostjo in prepričljivostjo.” [Sculpture: Between the cold and the art of persuasiveness]. Indirekt 15 October 2008: 12. Print.


Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat. Ljubljana, Slovenia: TR3, 2008. 33-36. Print.


Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008. 50-61. Print.


O.A. “Les Beaux-Arts soulignent la modernité de Goya.” 20 minutes 25 April 2008. Print.


“On en Reparlera, Goya au palais des Beaux-Arts.” La Voix du Nord 24 April 2008. Print.


Piras, Sebastian. A Pocketful of Contemporary Aritsts. Mulgrave Victoria, Australia: Peleus Press, 2008. 182-83. Print.


Racic, Irena. “Rona Pondick, Preddverje stolpnice TR3, Ljubljana.” [Rona Pondick, Hall towers TR3, Ljubljana]. Indirekt 13 October 2008: 14. Print.


Seban, Alain. Collection Florence and Daniel Guerlain: Dessins New York 2008. Exh. cat. Les Mesnuls, France: Ammiimages, 2008. Print.


Soyez, Fabien. “Les Caprices de Goya de retour aux Beaux Arts.” La Croix du Nord 9-15 May 2008. Print.


Theyrez, Emmanuelle. “Goya, ‘capricieux’ et intemporel.” Face Grand May 2008. Print.


Tilroe, Anna. “Wisdom–Rona Pondick.” Sonsbeek 2008: Grandeur. Exh. cat. Arnhem, Netherlands: Thieme Art, Deventer, Stichting Sonsbeek Internationaal, 2008. 81-87, 262, 273. Print.


Tilroe, Anna. “Rona Pondick.” Sonsbeek 2008: Grandeur. Visitor guide. Netherlands: Stichting Sonsbeek Internationaal, 2008. 14-15. Print.


Urbancic, Vojko. “Napovedujemo, Rona Pondick, Galerija TR3, Ljubljana.” [Announcement: Rona Pondick, TR3 Gallery, Ljubljana]. Delo 11 October 2008: 20. Print.


Urbancic, Vojko.  “Novost, Rona Pondick.” [Newness: Rona Pondick]. Delo 13 October 2008: 10. Print.


Voiturier, Michel.  “Goya, actuel car intemporel.” Courrier de l’escaut 12 July 2008. Print.


Vouters, Bruno. “À Lille, les Caprices de Goya jouent les prolongations!” La Voix du Nord 24 May 2008. Print.


Wally, Barbara. “Rona Pondick Interviewed by Barbara Wally.” Rona Pondick: Works / Werke, 1986–2008, New York, Salzburg. Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008. 6-39. Print.


Weiermair, Peter. “Reflections on an Exhibition at the Rupertinum Museum for Modern and Contemporary Art.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008. 39-45. Print.


Zigon, Petra.  “Zgodba o uspehu, Rona Pondick, Razmišljam z rokami!” [Story of Success: ‘I think with my hands,’ (Interview)] Obrazi 23 October 2008: 79. Print.


 


2007


Cameron, Dan, Peter B. Lewis, and Toby Devan Lewis. Foreword by Toni Morrison. ArtWorks: The Progressive Collection (New York: Distributed Art Publishers, 2007), pp. 154–55.


Collins, Judith. Sculpture Today (London: Phaidon Press Limited; New York: Phaidon Press Inc., 2007), pp. 90, 94.


McQuaid, Cate. “Exploring the Mysteries of ‘Cosmoses.’” Boston Globe, August 2, 2007, p. E8.


Posner, Helaine, and Nancy Princenthal. After the Revolution: Women Who Transformed Contemporary Art (Munich: Prestel Verlag, 2007), pp. 43–45, 141.


 


2006


“Rona Pondick.” The New Yorker, April 26,2006, p.30.


Johnson, Ken. “Rona Pondick.” New York Times, April 14, 2006, p..E32.


 


2005 


Piguet, Philippe. Collection 2; Collection Claudine et Jean Marc-Salmon (exh.cat.)(Annecy, France:


Fondation pour l’art Contemporain Claudine et Jean-marc Salomon, 2005), pp. 4, 94-99.


Steffen, Barbara and Redding, Mary Anne. Visions of America:.Contemporary Art from the Essl Collection    


and the Sonnabend Collection, New York (exh. cat.) (Vienna, Germany: Edition Sammlung Essl, 2005), pp. 114,139,146, 274.


 


2004 


Anker, Suzanne and Nelkin, Dorothy. The Molecular Gaze: Art in the Genetic Age ( New York: Cold Spring


Harbor Laboratory Press, 2004), cover,  pp. 62, 64.


Biro, Matthew. “Rona Pondick: Sculpture, 1992-2003.”  Art Papers, (January/February 2004), pp.50-51.


Morrisroe, Julia. “Rona Pondick: Sculpture, 1992-2003.” Diaglue (March/April 2004), p.35.


Ostrow, Saul. “Rona Pondick: Mixed Fictions.” Angle.16, p.9.


Richards, Judith Olch,  ‘Inside The Studio, “Rona Pondick.” (New York: Independent Curators International, 2004), pp. 10,162-165.


Starker, Melissa. “Hit The Road: Photographer Annie Leibovitz and Sculptor Rona Pondick Lure Art Fans To Cleveland.” Ohio News Bureau Inc., July 14, 2004, p.14.


Tranberg, Dan. “Classical and Digital World’s Inspire Sculpture.” The Plain Dealer, May 22, 2004. pp..E1,E6.


Tranberg, Dan. “What separates us from animals? You’d be surprised.” The Plain Dealer, July 30, 2004, p.46.


“Rona Pondick: “Recent Work” at MOCA Cleveland.” Bridge (June/July 2004), p.__.          


 


2003 


Chessler, Suzanne. “Taking Cues From Kafka.” The Jewish News, September 26, 2003, p.__.


Cohen, Keri Guten. “Sculptor Puts Herself Into Her Work.” Detroit Free Press, September 28, 2003, p.6E.


Colby, Joy Hakanson. “If You Can Get Past the Opening, You’ll Enjoy the Exhibit.” The Detroit News,


October 18, 2003, p.__.


Fifield, George. “Rona Pondick’s Monsters of Fear and Desire.” Sculpture, September 2003, pp.34-39.


Green, Roger. “Arists Armed With Body Parts.” Ann Arbor News, November 9, 2003, p.C4.


Haddad, Natalie. “The Metamorphosis.” The Detroit Weekly, November 12, 2003, p.25.


Heeger, Susan. “Spiritual Roots.” Los Angeles Times Magazine, September 21, 2003, pp.24-28.


Johnson, Ken. “The New Season/Art.” The New York Times,  September, 7, 2003, pp.97.


Kinghorn, George. “Substance of skin.” Skin:Contemporary Views Of The Body (exh.cat.) (Jacksonville,Florida, Jacksonville Museum of Modern Art, 2003), pp. 6, 26-27.


 


 


MacCash, Doug. “Carving Out An Art Garden.” The Times-Picayune, November 21, 2003, pp.21-24.


Mannistoe,Glen. “Metallic Poses: Rona Pondick’s Arresting Hybrids.” MetroTimes, October 15, 2003, pp.26- 27.


Seidel, Claudia and Haidu, Rachel. “A Dialogue of Two Collections: Ileana Sonnabend and


DaimlerChrylser.” (exh. cat.) (Berlin, Germany: Daimler Chrylser Contemporary, 2003), pp.13, 30-31.


Stafford, Nicloe. “What Do You See?” Observer & Eccentric, September 25, 2003, cover, pp. E11,15.         


 


2002 


Basile, diFranco. “Visionaria Rona: Alla GAM.”  Il Resto del Carlino, April  5, 2002, p. XXX.


Cozzolino, Francesca. “Rona Pondick.” Flash Arte, June 21, 2002.


Camhi, Leslie. “An Artist’s Metamorphosis: Zoo Story.”  The Village Voice,  April 30, 2002, p. 63.


Camonchia, Sabrina. “Corpi ibridi dell’arte: Undici sculture di Rona Pondick alla Gam.” Il Domani, Il Stampa, April 10, 2002  p.14.


Eccher, Erica. “Acciaioghiaccio-Rona Pondick.” ExibArt (May 2002), No. 2, p.14.


Haidu, Rachel. From Pop to Now: Selections From The Sonnabend Collection (exh. cat.) (DAP, 2002), pp.144-145, 180.


Henser, Chilla. “Audacious Rona.” First Class Paris, April 9, 2002, p.20.


Keikes,  Andre. “Fabeldieren van de toekomst.” Leeuwarder CRT ed. Zuid, Leeuwarder CRT ed. Stad, October 11, 2002,  pp. 32-33.


“Expositie van Pondick in Groninger Museum.” Leeuwarder CRT ed. Stad, Leeuwarder Crt ed.


Zuid, Sepember 9, 2002,  p.11.


“Beelden van Rona Pondick in Groninger Museum.” DB v/h N. ed. Stad en Haren, Db v/h N. ed. Drenthe Noord, September 14, 2002, p. 23.


Koplos, Janet. “Rona Pondick: Orchestrated Obsessions.” Art in America (September 2002), pp.114-119.


MacAdam, Barbara A. “Rona Pondick.” Art News(summer 2002), pp.177-178.


Maurel, Michel. “Rona Pondick, sculptures.” Bienvenue sur Nouba, March 2, 2002.


Mine, Molly. “Rona Pondick.” Paris Capitale (February 2002).


Pollack, Barbara. “Working Vacation.” Village Voice, July 23, 2002. pp.46-47.


Princenthal, Nancy. “A Dreamlike Melding Of Human, Beast and Steel.”  New York Times, April 7, 2002, pp.33, 35.


Reitsman, Ella. “Kunst.” Vrij Nederland (September 2002), p. 84.


“Rona Pondick.” Man (August 2002).


“Rona Pondick.” Kunstbeeld (September  2002).


Robinson, Walter. “Weekend Update.” Artnet Magazine, April 29, 2002.


Rosen, Anna. “Rona Pondick.” Urbuz, March 5, 2002.


Sigalotti,  Annamaria. “L’arte liminale di Rona Pondick.” Art &Job Magazine, March 22, 2002, p. 32.


Spadoni,  Claudio. “Silicone e acciaio per rimodoellare Terminator.” Il Resto Carlino, April 21, 2002, p. XXX.


Steinberg, Claudia.  “Schimaren Bologna: Rona Pondick.”  Kunstzeitung (June 2002), p. 15.


“Denti e orecchie metamorfiche Bologna, Galleria d’arte moderna.” Il giornale delle Arte (June 2002), p. 20.


Temin, Christine. “Exhibit puts disturbing face on sculptor’s work.” Boston Globe, August 28, 2002, pp. D1,6.


Tomasette, Tatlana. “Rona Pondick espone alla GAM di Bologna.” Arte al limite (April-May 2002), p. 13.


Torresin, Brunella. “SPECCHI D’ARTE:  L’umanita anfibia di Rona Pondick.” la Repubblica, April 10, 2002, p. VIII.


Van Der Beek, Wim. “Rona Pondick.” Kunstbeeld (December  2002).


Van Der Zijpp, Sue-an. “Beyond the Order of Things.” Rona Pondick (exh.cat.) (New York: Sonnabend Press, 2002) pp. 4-5.


“The Transformations of Rona Pondick.” Groninger Museum Magazine (October-2002-January 2003), pp.8-13, 20-23.


Weiermair, Peter. “Considerations about the Work of Rona Pondick.” Rona Pondick (exh. cat.) (New York: SonnabendPress, 2002),  pp. 7-10.


Werkhoven, Isabella. “Wonderlijke wezens van Rona Pondick.”  DB v/h N. ed. Stad en Haren, Dv v/h N ed.


 


 


Drenthe Noord,  September  9, 2002,  p.42.


Zaya, Octavio. “Rona Pondick: The Metamorphosis of An Object Maker: An Interview with Rona Pondick.”


Rona Pondick (exh.cat.) (New York: Sonnabend Press, 2002), pp. 111-139.


Zaya, Octavio, “Rona Pondick:The Meatmorphosis Of An Object Maker.” Flash Art  (March-April 2002), pp. 76-77.


 


2001 


Fifield, George. “Mindshare: Headshrinker.” artbyte (January–February 2001), pp. 6, 20–21.


“Rona Pondick.” Bomb 77 (fall 2001), pp. 103–04.


Mondloch Loreto, Katie. “Rona Pondick.” Tema Celeste (summer 2001), p. 92.


Morgan, Margaret. “Rona Pondick.” artext 74 (August–October 2001), p. 87.


Ollman, Leah. “Pondick’s ‘Dirthead’ Powerfully Depicts Grisly Effects of Mankind’s Evil History.” Los Angeles Times, May 4, 2001, p. F20.


Phelan, Peggy and Helena Reckitt. Art and Feminism. (London: Phaidon Press, 2001), pp. 18, 163, 276.


 


2000 


Baer, Josh. “Art by Numbers.” New York, June 19, 2000, p. 14.


Bricker Balken, Debra. “Drawing in the Present Tense.” Parsons School of Design, pp. 36–37.


Fifield, George. “Rona Pondick: Lifelike, Unnatural, Hybrid Sculptures Address Questions of Fear and


Desire.” Art New England 221 (December–January 2000), pp. 3, 75.


Gabriel, Nelly. “Biennale l’art contemporain mondial à la Halle.” Lyon Figaro, June 27, 2000, pp. 21–22.


Kaufman, Jason Edward. “Grasping the Global.” artnet (July 2000), pp. 1–4.


Levin, Kim. “Border Crossings.” The Village Voice, July 26–August 1, 2000.


Martin, Jean-Hubert. “L’Express: Biennale d’art contemporain de Lyon.” (exh. broch.) (Lyon, France: Lyon


Biennale, 2000), pp. 8–12.


“Partage E’Exotismes.” 5ieme Biennale d’art contemporain de Lyon (exh. cat.) (Lyon, France: Lyon


Biennale, 2000), vol. 2, pp. 32–33, 210.


Princenthal, Nancy and Janet Zweig. Chain 7: memoir/antimemoir. (Manoa, Hawaii: Univeristy of Hawaii,


Manoa, 2000), pp. 155, 241.


Weibel, Peter. Der Anagrammatische Korper. (exh. cat.) (Karlsruhe, Germany: Zentrum Kunst and


Medientechnologie, 2000), sec. 1, p. 19.


Zaya, Antonio. Erresistentziak Resistencias. (exh. cat.) (San Sebastian, Spain: Koldo Mitxelena Kulturunea


Donostia-San Sebastian, 2000), pp. 52–55, 156–59, 170.


 


1999


“Salzburger Festspiele Rupertinum,” Salzburger Nachrichten, July 24, 1999, p. 33.


Guggenberger, Ulrike. “Ert auf den Schrottplatz.” Salzburger Nachrichten, August 6, 1999, p. 15.


Motsschlmaier, M. “Positionsreihe 7.” Salzburger Nachrichten, July 21, 1999, p. 10.


Schneider Adams, Laurie. Art Across Time (McGraw-Hill College, 1999), pp. 934–35.


Van Mechelen, Marga. “Ekelkunst als Diskurs uber die Geschlecter.” Zeitschrift fur Semiotik (1999), pp. 374–77.


Von Kreibig, Uwe. “Erstes Raumschiffzur Venus.” Free Press.


Wolf, Robert. “Rupertinum: Rona Pondick zeight beeindruckende Installationen in Humaner Gesinnung.”


SVZ, July 21, 1999, p. 9.


 


1998 


Berends, Jeroen. “What Remains.” Groninger Museumkrant (fall 1998), pp. 13–14.


Bristowe, Anthea. “Johannesburg Biennial 1997.” Art News (January 1997), pp. 141–42.


Camhi, Leslie. “Woman On the Verge: Yayoi Kusama Returns Right On Time.” The Village Voice, July 14, 1998, p. 37.


 


 


Chadwick, Whitney. Mirror Images, Women, Surrealism, and Self-Representation (Cambridge, Mass.: M.I.T. Press, 1998), pp. 20–21, pl. 3 and 24.


Giuliano, Charles. “Rona Pondick: Works on Paper and Artist’s Books.” Howard Yezerski Gallery, Boston,1998. Online review: www.boston.sidewalk.tm.


Greben, Deidre Stein. “Rona Pondick.” Art News (February 1998), p. 120.


Harris, Susan.“Rona Pondick.” Skuptur—Figur—Weiblich (exh. cat.) (Linz, Austria: Landesgalerie


Oberosterreich Landesmuseum, 1998), pp. 135–38.


Heartney, Eleanor. “Report From Johannesburg: Mapping the Postcolonial.” Art in America (June 1998), pp. 51–55.


Hixson, Kathryn.“Business as Usual? Art World Post-Nationals in a New Nation State: The 1997


Johannesburg Biennale.” New Art Examiner 25, 6 (March 1998), pp. 27–31.


Hoptman, Laura. “The Return of Yayoi Kusama.” Museum of Modern Art Bulletin (July/August 1998), p. 8.


Landi, Ann. “Beating the Post-Show Blues.” Art News 97, 10 (November 1998), pp. 156–58.


McQuaid, Cate. “Drawing on the Mantra ‘I Want.’” Boston Globe, June 4, 1998, pp. E1–E4.


Pondick, Rona. 12345 (Boston: Howard Yezerski Gallery, 1998).


Princenthal, Nancy. “Artist’s Book Beat.” On Paper 2, 6 (July–August 1998), pp. 50–55.


Silver, Joanne. “Ears Speak of Longing in Pondick’s Drawings.” Boston Herald, May 2, 1998.


Temin, Christine. “Two Blossoms at the Rose.” Boston Globe, December 11, 1998, pp. D1, D12–D13.


Wilson, William.“‘Head to Toe’ Mixes Education, Fun.” Los Angeles Times, February, 1998.


Zaya, Ocatvio and Antonio Zaya. “Desde Sudafrica.” Atlantica Interancional Revista de las Artes 19 (Winter


1998), pp. 10, 123–24.


Zelevansky, Lynn. “Driving Image: Yayoi Kusama in New York.” Love Forever: Yayoi Kusama, 1958–1968


 (Los Angeles: Los Angeles County Museum of Art, 1998), p. 30.


Zimmer, William. “Inviting or Not, What Do Beds Mean?” New York Times, October 4, 1998, p. 18.


 


1997 


Arkhipoff, Elisabeth and Sarah de Haro. “Sous le Manteau.” Nova Magazine (March 1997).


Deans, Jeanie. tree head room (exh. cat.) (New York: Sidney Janis Gallery, 1997).


Enwezor, Okwui and Octavio Zaya. “Trade Routes: History and Geography.” Second Johannesburg Biennale (fall 1997), pp.


180–81.


Heinick, Angelika.“Kleid, rührendstes aller Symbole.” Frankurter Allgemeine Zeitung, April 19, 1997, p. 91.


Horodner, Stuart, ed. “Frankenstein.” New Observations 114 (spring 1997), p. 28.


Johnson, Ken. “Rona Pondick.” New York Times, October 3, 1997, p. E35.


Koplos, Janet. “Art On Stage,” Art in America (September 1997), pp. 51–55.


Kuspit, Donald. “The Problem of the Jewish-American Artist.” New Art Examiner (April 1997), pp. 30–35.


Picasso, Sydney. “Visions d’artistes.” Vogue 775 (Paris) (March 1997), pp. 16–19.


Schor, Mira. Wet: On Painting, Feminism, and Art Culture (Durham, N.C.: Duke Univer-sity Press, 1997), pp. 194, 225 n.13.


Shottenkirk, Dena. “body language.” World Art 12 (1997), pp. 35–39.


St. Sauveur, Michele. “Embedded Metaphor.” New Art Examiner (March 1997), p. 43.


Zimmer, Elizabeth. “It’s Genius! Artists Cheer the Best of the Year.” The Village Voice, January 7, 1997, p. 26.


 


1996 


Boodro, Michael. “Biting Wit.” Vogue (December 1996), p. 204.


Gill, Sharon. Outer Layer (exh. cat.) (New Jersey Center for Visual Arts, 1996), pp. 2–3.


Glueck, Grace. “Menorah by Chanel, Barbie as Shiksa—Goddess.” New York Observer, March 25, 1996, p. 21.


Goodeve, Thyrza Nichols. “Artists in Action: Finding a New Frame for Performance.” Next Wave Magazine


Brooklyn Academy of Music (Fall 1996), pp. 66–68.


 


 


Jones, Amelia. Sexual Politics: Feminist Strategies, Feminist Conflicts, Feminist Histories (exh.. cat.) (Los


Angeles: Armand Hammer Museum of Art and Cultural Center, UCLA, 1996), pp. 27, 257.


Kleeblatt, Norman. Too Jewish? Challenging Traditional Identities  (exh, cat.) (New  Brunswick, New


Jewish Museum and Rutgers University Press, 1996), pp. 18, 19, 145.


Kotik, Charlotta. Mine (exh. broc.) (Brooklyn, N.Y.: Brooklyn Museum of Art, 1996).


McQuaid, Cate. “Turning a Worldly Eye on Innocence.” Boston Globe, February 22, 1996, p. 74.


Melrod, George “Openings.” Art and Antiques (February 1996), p. 26.


Pagel, David.“Pleasure and Pain.” Los Angeles Times, April 25, 1996, sec. F, p. 11


Pedersen, Victoria. “Gallery Go Round.” Paper (December 1996), _p. 140.


Temin, Christine. “Just Can’t Stop that Pop.” Boston Globe, November 13, 1996, p. F1, F4.


 


1995 


Benvenuto, Christine. “Mixing It Up.” Amherst Bulletin, February 24, 1995.


Cork, Richard. “Objects of Obscure Desire.” The Times, May 16, 1995, p. 1.


Feinberg, Jean E. New Art 4: A Conversation Between Rona Pondick and Jean Feinberg (exh. broch.) (Cincinnati, Ohio: Cincinnati Art Museum, 1995).


Fineberg, Jonathon. Art Since 1940: Strategies of Being (Englewood Cliffs, N.J.: Prentice Hall, 1995), p. 467.


Hagen, Charles. “Inside Out.” New York Times, June 14, 1995, p. C16.


Hapgood, Susan, Suzanne Ramljak, and Ann Wilson Lloyd. Object Lessons (exh. cat.) (Boston:


Massachusetts College of Art, 1995).


Harris, Susan. “New York.” Art Press (July–August 1995), p. 11.


Levin, Kim. “Bemerkungen zu einem Dialog der Kulturen.” Configura 2 (exh. cat.)


(Erfurt, Germany: Configura 2;  Dialog der Kulturen, 1995), pp. 31–36.


“Voice Choice.” The Village Voice, April 25, 1995, p. C2.              


Lippard, Lucy R. The Pink Glass Swan: Selected Feminist Essays on Art (New York: The New Press, 1995), pp. 16–17.


Malbert, Roger. “Fetish and Form in Contemporary Art.” Fetishism (exh. cat.) (London: The South Bank


Center in association with Lord Humphries Publishers, 1995), p. 116, pl. 28.


Maxwell, Douglas F. Inside Out (exh. cat.) (Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1995), pp. 9–10, 66–67.


McQuaid, Cate. “The Ways of All Flesh.” Boston Phoenix, February 3, 1995, pp. 3.1–2.


Murdoch, Sadie. “New York in Brief.” Women’s Art Magazine (July/August 1995), pp. 3, 5, 18–21.


Nixon, Mignon. “Bad Enough Mother.” October (winter 1995), pp. 71–92.


Porat, Joan. “Pondick’s Sculptures at CAM Ask Viewers to Complete the Picture.”The American Israelite, June 15, 1995, p. B–6.


Ratcliff, Jonathon. “Absolutely Imperfect.” Daily Hampshire Gazette, February 25–26, 1995.


Riddell, Jennifer L. “The Abject Object.” The New Art Examiner (October 1995), pp. 26–31, 53.


Russel, Gloria. “‘Imperfect’ Show Features Flawless Perceptions.” Sunday Republican, March 5, 1995, p. F2.


Sherman, Mary. “Female Artists Express Their Gender.” Boston Herald, January 25, 1995, p. 46.


Shottenkirk, Dena. “New York in Brief.” C Magazine (summer 1995), p. 39.


Stapen, Nancy. “Feminine Dialogues: A Tempest from Oppenheim’s Teacup.” Boston Sunday Globe, January 29, 1995.


Stein, Jerry. “Body by Pondick.” Cincinnati Post, April 6, 1995, pp. 2B, 3B.


Stuart, Elizabeth. “Musings.” The Muse: Transforming the Image of Woman in Contemporary Art (exh. cat.)


(Paris and Salzburg: Galerie Thaddaeus Ropac and the Salzburg Festival, 1995), pp. 8, 117–20, 169.


Watkins, Eileen. “Watch and Wear: Clothing as Visual Art.” Sunday Star Ledger, December 17, 1995, sec. 4, p. 14.


Watson, Bruce. “The Real World Lives of Artists.” Daily Hampshire Gazette,February 21, 1995.


Wilson, Elizabeth. “Strange Objects of Desire.” The Independent, May 30, 1995, p. 21.


 


 


 


 


 


1994 


Drohojowska-Philip, Hunter. “And When They Were Bad...” Los Angeles Times, January 16, 1994, p. 4.


Gargiulo, Thomas. “In the Lineage of Eva Hesse.” Art New England (October/November 1994), pp. 46–47.


Hess, Elizabeth. In the Lineage of Eva Hesse, Blood Sisters (exh. cat.) (Ridgefield, Conn.: The Aldrich


Museum of Contemporary Art,1994), pp. 5–8, 64–66.


Kuspit, Donald. “The Decline, Fall and Magical Ressurrection of the Body.” Sculpture (May/June 1994), pp. 20–31.


Myers, Terry R.. Object Bodies (exh. cat.) (Greencastle, Ind.: Depauw University, 1994), pp. 5, 18.


“Rona Pondick: What Happened?” Galeries (February–March 1994), p. 106.


Pohlen, Annelie. Uber Leben (exh. cat.) (Bonn, Germany: Bonner Kunstverein, 1994), pp. 32–34, 38, 94–95.


Smith, Roberta. “Sculptors in the Shadow of a Minimalist Master.” New York Times, March 18, 1994, p. C21.


“Body of Evidence.” Vogue (August 1994), pp. 150, 152, 154.


Stapen, Nancy. “Rona Pondick at Howard Yezerski.” Art News (March 1994), p. 145.


Tucker, Marcia and Marcia Tanner, Bad Girls (exh. cat.) (New York: The New Museum of Contemporary


Art; and Cambridge Mass.: M.I.T. Press, 1994), pp. 88, 123.


Wilson, Mark. “Het liminale lichaam: De beelden van Rona Pondick.” Metropolis M (August 1994), pp. 32–33.


Zaya, Octavio. “I Can Express It Any Way I Want: An Interview with Rona Pondick.” AtlAnticA (February 1994), pp. 17–23, 124–28.


 


1993 


Fujimori, Minami. “From New York.” Bijitsu Techo (August 1993), pp. 126–27.


Hagen, Charles. “In Connecticut: Clothes.” New York Times, July 23, 1993, p. C25.


Hess, Elizabeth. “Indecent Exposure.” The Village Voice, January 12, 1993, pp. 83–84,


“Basic Instincts.” The Village Voice, June 1, 1993, p. 83.


Hirsch, Faye. “Rona Pondick.” Art in America (November 1993), p. 126.


Levin, Kim. “Voice Choices.” The Village Voice, May 25, 1993, p. 67.


Knight, Christopher. “Faceless Critics, Harmless Art.” Los Angeles Times, January 24, 1993, pp. 90–91.


Mahoney, Robert. “Rona Pondick.” C Magazine (fall 1993), p. 77.


Pinchbeck, Daniel. “Openings: Rona Pondick.” Art and Antiques (May 1993), p. 22.


Saltz, Jerry. “Critics Diary, Mayday, Mayday, Mayday.” Art in America (September 1993), pp. 41–45.


Seward, Keith. “Rona Pondick.” Artforum (November 1993), pp. 106–07.


Silver, Joanne. “Startling Works Evoke Buried Memories.” Boston Herald, October 29, 1993, p. S25.


Smith, Roberta. “A Remembrance of Whitney Biennials Past.” New York Times, February 18, 1993, p. 31.


“Examining Culture Through Its Castoffs.” New York Times, November 28, 1994, pp. 39, 44.


Stapen, Nancy. “Translating Experience: Art of Words and Spirit.” Boston Globe, October 21, 1993, pp. 73.


Zimmer, William. “Yale Celebrates Its Artists and Its Collectors Since 1950.” New York Times, June 27, 1993, p. C14.


 


1992 


Adrenne, Paul. “Rona Pondick at Galerie Thaddeaus Ropac.” art press 172 (September 1992), p. 73.


Aya and Gal. “Something That Only Women Have.” Jerusalem Voice, November 11, 1992, p. 38.


Cameron, Dan. “The Changing Tide.” Art and Auction (January 1992), pp. 50–54.


“Don’t Look Now,” Frieze 3 (January 1992), pp. 4–8.


Coller, Barbara. The Edge of Childhood (exh. cat.) (Huntington, N.Y.: Heckscher Museum, 1992), p. 20.


Curtis, Cathy. “Strange Bedfellows at Cal State Fullerton.” Los Angeles Times, September 21, 1992, pp. F2–F5.


Golan, Yehuda. “Rona Pondick.” Ma’ariv, November 9, 1992, p. 62.


 


 


Heinick, Angelika. “Skandal um Rona.” Frankfurter Allgemeine Zeitung, June 27, 1992, pp. 33–34.


Hess, Elizabeth. “Dirty Laundry.” The Village Voice, May 12, 1992, p. 91.


Hills, Patricia. “The Naked Body, Censorship and the NEA.” ART New England (August/September 1992), pp. 14–16.


Kalin, Tom. “Plastic Fantastic Lover (Object A).” Artforum (January 1992), p. 102.


Kuspit, Donald. “Images of an Innocence That Never Was.” The Edge of Childhood (exh. cat.) (Huntington,


N.Y.: Heckscher Museum, 1992), pp. 27, pls. 15, 16.


Landau, Suzanne. Pink and Brown (exh. cat.) (Jerusalem: Israel Museum, 1992).


McCracken, David. “Power Play.” Chicago Tribune, February 14, 1992, sect. 7.


Mesch, Claudia. “Power Play.” The New Art Examiner (September 1992), pp. 33–34.


Myers, Terry R. “Abstraction Gets a Life.” Tema Celeste (summer 1992), p. 82.


Quinn, Michael. “Rock to Rescue.” Time, June 1, 1992, p. 89.


Schwabsky, Barry. “Shamelessness.” Sculpture (July–August 1992), pp. 44–51.


Seward, Keith. “Psycho.” Artforum (September 1992), pp. 106–07.


Shefi, Smadar. “Men’s Shoes and Pink Lace.” Ha’aretz, November 11, 1992.


Smith, Roberta. “Women Artists Engage the Enemy.” New York Times, August 16, 1992, sect. 2, pp. 1, 23.


Spector, Buzz. “View to a Room.” Bedroom Eyes: Room with a View (exh. cat.) (Fullerton: Fullerton Art


Gallery, California State University, 1992), p. 17.


Sperling, Tamira. “Exhibit Challenges Sexual Stereotypes.” Art and Performance, February 14, 1992, p. 5.


Watten, Barrette. “A Condition of Loss: ‘Childhood Revisited’ at Rena Bransten Gallery.” Artweek, January  9, 1992, p. 12.


Watts, Tricia. Bedroom Eyes: Room with a View (exh. cat.) (Fullerton: Fullerton Art Gallery, California State


University, 1992), p. 11.


Western, Mirjam. “Verlichting of Vernietiging?” HN (October 1992).


 


1991 


Armstrong, Richard, John Hanhardt, Richard Marshall, and Lisa Phillip. 1991 Biennial Exhibition (exh. cat.)


(New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1991), pp. 210–13.


Boschman, Hells. “Baby und Bottles: Frauen im Aufwind.” Die Welt/Hamburg (July 1991).


Brenson, Michael. “Foot and Mouth.” New York Times, May 3, 1991, p. C19.


Cameron, Dan. Just What Is It That Makes Today’s Homes So Different, So Appealing? (exh. cat.) (Glens


Falls, N.Y.: The Hyde Collection, 1991), p. 15.


D’Amato, Brian. “Rona Pondick.” Flash Art (November/December 1991), p. 134.


Flam, Jack. “Pluralistic and Perky.” Wall Street Journal, May 22, 1991.


Heartney, Eleanor. “The Whitney Biennial.” Art News (summer 1991), pp. 143–44.


Hess, Elizabeth. “Nasty Girl.” The Village Voice, May 7, 1991, p. 85.


Johnson, Ken. “Generational Saga, The Whitney Biennial.” Art in America (June 1991), pp. 44–51.


Leigh, Christian. Dark of Heartness: Rona Pondick’s “Scrap”and Other Symbolisms (exh. cat.) (Glenside,


Penn.: Beaver College Art Gallery, 1991).


“The 1991 Whitney Biennial.” FlashArt (summer 1991), p. 161.


Levin, Kim. “Voice Choices: Foot and Mouth.” The Village Voice, May 3, 1991, p. 9.


“Voice Choice: Plastic Fantastic Lover (Object A).” The Village Voice, November 5, 1991.


Mahoney, Robert. “Vertigo.” Contemporanea (January 1991), p. 104.


Myers, Terry R. “Having a Ball, Wish You Were Here.” LAPIZ International Art Magazine 80 (October 1991), pp. 76–78.


Neff, Eileen. “Rona Pondick.” Artforum (September 1991), p. 133.


Pagel, David. “Guilt, Innocence Entangle in Pondick’s ‘Heads.’” Los Angeles Times, November 21, 1991, p. F3.


“‘Rope,’ Colgados de Hitchcock.” Guia del Ocio 80 (June 7, 1991).


Saltz, Jerry. “The Living Dead Life of the Body: The Sculpture of Rona Pondick.” Balcon 7 (Winter, 1991), pp. 79–92.


Schor, Mira. “You Can’t Leave Home Without It.” Artforum (October 1991), pp. 114–19.


Smith, Roberta. “Plastic Fantastic Lover (Object A).” New York Times, November 1, 1991, p. C16.


Sovanski, Edward J. “Art That Shocks by Its Treatment of the Mundane.” Philadelphia Inquirer, February 14, 1991, p. 5D.


Tanaka, Hiroko. “Art in New York.” hifashion (August 1991), pp. 162–63.


Zaya, Octavio. “Revision y conseno Bienal 91.” Diario 16, May 11, 1991, pp. 4–5.


 


1990 


Altshluer, Bruce. “Collector on the Couch.” Art Issues (February 1990), pp. 21–22.


Anderson, Michael. “mamamamama.” Art Issues (September/October 1990), p. 33.


Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporanea (September 1990), pp. 66–73.


Humphrey, David “Hair Piece.” Art Issues (February 1990), pp. 17–20.


Kandel, Susan. “L.A. in Review.” Arts Magazine (September 1990), p. 107.


Myers, Terry R. “Presenting Pleasures: Urgent Sculptures of Rona Pondick.” Arts Magazine (November 1990), pp. 90–95.


Pagel, David. “mamamamama.” Artscribe (September/October 1990), pp. 91–92.


Princenthal, Nancy. “Rona Pondick.” Art in America (January 1990), pp. 157–59.


Wilson, William. “‘mamamamama.” Los Angeles Times, June 1, 1990, p. F15.


Yau, John. Diverse Representations 1990 (exh. cat.) (Morristown, N.J.: The Morris Museum, 1990), pp. 9, 36–37.


Zimmer, William. “Sculpture by Novel Means.” New York Times, November 4, 1990, p. 22.


 


1989 


Braff, Phyllis. “Ideas and Form on the Edge.” New York Times, May 7, 1989.


Bonetti, David. “ICA Gets Current Again.” Boston Phoenix, March 9, 1989, pp. 7, 19.


Brenson, Michael. “A Show’s Instructive Provocation.” New York Times, March 17, 1989, p. C28.


Fox, Catherine. “Provocative Sculpture Explores Egos.” Atlanta Journal, June 1, 1989, p. C3.


Gookin, Kirby. Bed Milk Shoe (exh. cat.) (New York: fiction/nonfiction, 1989).


Hess, Elizabeth. “Voice Choices: Bed Milk Shoe.” The Village Voice, October 24, 1989, p. 50.


Hirsch, David. “X-Rated Summer Tensions.” The New York Native, July 17, 1989, pp. 34–35.


Joselit, David. Currents: Rona Pondick (exh. broch.) (Boston: The Institute of Contemporary Art, 1989).


Levin, Kim. “Voice Choices: ‘Erotophobia.’” The Village Voice, July 18, 1989, p. 52.


Liu, Catherine. “Another Voice: Let’s Get Real.” The Village Voice, August 1, 1989, p. 90.


Mahoney, Robert. “Bed Milk Shoe.” Arts Magazine (December 1989), p. 92.


Spector, Buzz. “A Profusion of Substance.” Artforum (October 1989), pp. 120–28.


Stapen, Nancy. “Body and Soul.” Boston Herald, February 10, 1989, pp. S17, S19.


Temin, Christine. “Unpleasant Art Without a Point.” Boston Globe, February 10, 1989, p. 46.


Van Wagner, Judy Collischan. Lines of Vision: Drawings by Contemporary Women (exh. cat.) (New York:


Hudson Hills Press, 1989), pp. 113, 166.


 


1988 


Altshuler, Bruce. “Rona Pondick: Sculpture and Installation,” Beds (exh. cat.) (New York: Sculpture Center, 1988).


Baker, Kenneth. “Impressions of the Future.” Collaborations in Monotype, 1988–89 (exh. cat.) (Santa


Barbara, Calif.: University Art Museum, 1988), pp. 44–45.


Barasch, Amy. “New This Week.” Seven Days, September 24, 1988, p. 54.


Brenson, Michael. “Rona Pondick.” New York Times, May 20, 1988, p. C28.


“Rona Pondick—Beds.” New York Times, September 9, 1988, p. C20.


Connor, Maureen. “Rona Pondick.” Arts Magazine (May 1988), p.84.


Gookin, Kirby. “Rona Pondick.” Artforum (December 1988), p. 120.


Hess, Elizabeth. “Ladies’ Room.” The Village Voice, May 24, 1988, p. 109.


Hinders, Margaret. “Soiled Sheets.” 108: Review (May/June 1988), pp. 4–5.


Hullenkremer, Marie. “Berge, die ihre Form verandern.” Kolner Stadt-Anzeiger, May 4, 1988, p. 29.


Kramer, Hilton. “Femininity as ‘Masquerade’ Show.” New York Observer, October 3, 1988, pp. 1, 12.


Levin, Kim. “Voice Choices.” The Village Voice, October 4, 1988, p. 64.


 


 


Myers, Terry R. “Rona Pondick.” Arts Magazine (December 1988), p. 89.


Peckham, Virginia. New Artists/New Drawing (exh. cat.) (New London, Conn.: Lyman Allyn Museum, 1988).


Plous, Phyllis. “Monotype Today.” Collaborations in Monotype, 1988–89 (exh. cat.) (Santa Barbara, Calif.:


University Art Museum, 1988), pp. 13–17.


Raap, Jurgen. “The Other New York.” Kunstforum (July 1988), pp. 295–97.


Trippi, Laura. Girls Night Out: Femininity as Masquerade (exh. broch.) (New York: The New Museum for  Contemporary Art, 1988).


 


1987 


Brenson, Michael. “Peter Flaccus, Helen Miranda Wilson, and Rona Pondick.” New York Times, July 23, 1987, p. C23.


Cohen, Ronny. “New Abstraction.” The Print Collector’s Newsletter 17, 1 (1987), pp. 12–14.


 


1986 


Brenson, Michael. “Emerging Sculptors: 1986.” New York Times, December 26, 1986, p. C30.


Kingsley, April. “Highly Specific Objects.” Emerging Sculptors: 1986 (exh. cat.) (New York: Sculpture Center, 1986), pp. 4, 10, 11.


 


1985 


Watkins, Eileen. “Jersey City Museum Explores Modern Mystery.” Sunday Star-Ledger, May 26, 1985, p. E45.


 


1964


Raynor, Vivien. “Exceptional and New.” New York Times, July 13, 1984, p. C30.


Public and private collections

France


Centre Pompidou, Paris


Fondation pour l'art contemporain Claudine et Jean-Marc Salomon, Annecy


 


Germany


Ursula Blickle Stiftung, Kraichtal


 


Israel


The Israel Museum, Jerusalem


 


Sweden


Rooseum, Malmö


 


USA


Allen Memorial Art Museum, Oberlin College, Oberlin, OH


Boston Museum of Fine Arts, Boston, MA


Brooklyn Museum of Art, Brooklyn, NY


deCordova Sculpture Park and Museum, Lincoln, MA


Denver Art Museum, Denver, CO


Fogg Art Museum, Harvard University, Cambridge, MA


High Museum of Art, Atlanta, GA


Houghton Library, Harvard University, Cambridge, MA


Los Angeles County Museum of Art, Los Angeles, CA


Museum of Contemporary Art, Los Angeles, CA


National Gallery of Art, Washington, D.C.


New Orleans Museum of Art, Sculpture Garden, New Orleans, LA


New York Public Library, New York, NY


Norton Family Foundation, Santa Monica, CA


Savannah College of Art & Design, Savannah, GA


Simmons College, Boston, MA


Sinai Temple, Los Angeles, CA


The Morgan Library & Museum, New York, NY


The Progressive Collection, Cleveland, OH


The Rose Art Museum, Brandeis University, Waltham, MA


Toledo Museum of Art, Toledo, OH


United States Information Service, Washington, D.C.


University Art Museum, University of California at Santa Barbara, CA


Weatherspoon Art Gallery, University of North Carolina at Greensboro, NC


Whitney Museum of American Art, New York, NY


Worcester Art Museum, Worcester, MA